"I Am the Physical and Metaphysical Planes of the Reality that I Experience [Spring 5]" Limited Edition, Giclee Premium Paper Print

Print Quality Details

These museum-quality giclée canvas and premium paper prints are crafted with premium, ethically sourced materials and archival, acid-free inks to ensure lasting beauty. From durable poplar wood stretcher bars to precision Epson printing, every piece reflects exceptional craftsmanship, delivering a timeless, elegant artwork made to the highest professional standards.

These are outstanding giclées or archival pigment prints where each one is hand proofed and signed by me.  Giclée printing is a fine art digital printing method using specialist archival pigment inks and acid-free papers; creating museum/gallery prints with excellent depth of colour, longevity and stability.

Studies have shown that Giclee Prints colour vividness can last in excess of 200 years with tests by independent bodies such as Wilhelm Research and printer manufacturers such as Epson. This gives assurance to collectors and art buyers of this type of printing method.

Enhanced Matte archival and acid-free paper has a clean, simple and flat surface, smooth to the touch, and easy on the eyes.

Basis Weight: 192 gsm
ISO Brightness: 104%
Opacity: 94%

Ink: Epson UltraChrome HDR represents our latest generation of pigment ink technology, utilizing ten colors. Epson UltraChrome HDR Ink produces the widest color gamut ever from an Epson Stylus Pro printer.

Printing equipment: the Epson P9570 Pro Series, a state-of-the-art paper printer in the industry today, prints with the utmost clarity and intensity of the original digital artwork.

Artwork Description and Symbolism

“I Am the Physical and Metaphysical Planes of the Reality that I Experience” invites you into a question that quietly changes everything: What if what you perceive with the five senses is only one layer of what’s real? In the broader spirit of The Desert Abstraction Project, the Sonoran Desert becomes a contemplative classroom—where light, scale, silence, and time naturally push you beyond surface perception and into deeper inquiry. This piece leans directly into that inquiry, pointing to the intersection where metaphysics meets the questions modern physics continues to explore: reality as experience, perception as participation, and the possibility that the world is more layered than it appears.

The artwork grounds you in a recognizable desert scene—saguaros standing tall, rugged rock formations holding the horizon—yet it refuses to let the “physical” be the whole story. Above the terrain, the sky becomes an active field: smoky, irregular dark bands slice through luminous aquamarines and turquoises, as if two atmospheres are overlapping at once. The contrast feels like a visual metaphor for the meeting point between what is measurable and what is sensed: density and radiance, shadow and signal, matter and meaning. Even the subdued foreground echoes the sky’s electric palette, suggesting an underlying continuity—an implication that what we call “inner” and “outer” may be less separate than we assume.

That is where the title lands with real power. The five senses give us a practical interface with the world, but they also filter and compress reality into something survivable and familiar. Metaphysics speaks to what exists beyond the sensory interface—intuition, synchronicity, consciousness, and spiritual unity—while quantum physics raises unsettling questions about observation, probability, and the relationship between measurement and what is measured. This artwork doesn’t claim to “solve” those mysteries; it places you inside them. The saguaros and rocks represent the apparent solidity of everyday life, while the charged sky suggests the unseen substrate—fields, forces, and patterns moving beneath the surface of what we call “normal.” In the language of this project, fear is the illusion of separation; love is the deeper truth. This piece becomes a visual reminder to live with both humility and wonder: to honor the physical world while staying open to the possibility that consciousness, meaning, and interconnectedness are part of the architecture of reality itself. If you want art that keeps your mind curious and your spirit awake—something that turns a room into a daily invitation to question, notice, and expand—bring this piece into your space now and let it keep opening that doorway.

Accompanying Inspirational Exercise — “The Observer Effect Practice” (7 minutes, experimental and reflective)

This exercise treats your own awareness as the instrument of study. Stand or sit with the artwork and choose one consistent visual anchor—such as a saguaro or a band of luminous sky—that you will observe throughout the practice.

Step 1: Neutral Observation (Baseline Reality)
For one minute, observe the chosen element as neutrally as possible. Describe it silently using only factual language: color, shape, contrast, placement. Notice how the scene feels emotionally flat or informational. This establishes your baseline perceptual state.

Step 2: Frequency Shift (State Change)
Now, intentionally change your internal state. Take three slow breaths and recall a moment of calm gratitude or quiet confidence. Let your body soften. Observe the same visual anchor again for one minute. Notice any shifts—does the image feel more open, harmonious, alive, or meaningful? This reveals how emotional frequency alters perception.

Step 3: Worldview Lens (Belief Overlay)
Next, consciously apply a worldview lens. For one minute, view the image as if reality is fundamentally supportive and interconnected. Then switch lenses and view it as if reality is random or indifferent. Observe how meaning, beauty, or threat appear or disappear depending on belief alone.

Step 4: Self-Concept Test (Identity Filter)
Ask silently: “Who am I being right now?” (a seeker, a survivor, a creator, an observer). Hold that identity for 30 seconds and observe again. Then shift to a different self-concept and repeat. Notice how your sense of agency, clarity, or limitation changes—even though the image does not.

Step 5: Expectation & Subconscious Cue
Finally, state one expectation aloud or internally: “I expect insight,” or “I expect nothing.” Observe for 30 seconds. Notice how expectation subtly organizes attention and experience.

Close the exercise by writing one sentence:
“When I change my inner state, reality appears to change because I am participating in what I perceive.”

Practiced regularly, this experiment builds discernment rather than fantasy. It trains you to recognize how vibration, belief, self-concept, and expectation shape lived experience—placing responsibility back where power actually resides: in conscious observation.